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AD9754ARURL7 数据表(PDF) 17 Page - Analog Devices |
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AD9754ARURL7 数据表(HTML) 17 Page - Analog Devices |
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17 / 24 page ![]() AD9754 –17– REV. A fCLOCK/4). This particular multitone vector, has a peak-to-rms ratio of 13.5 dB compared to a sine waves peak-to-rms ratio of 3 dB. A “snapshot” of this reconstructed multitone vector in the time domain as shown in Figure 34b reveals the higher signal content around the midscale value. As a result, a DAC’s “small- scale” dynamic and static linearity becomes increasingly criti- cal in obtaining low intermodulation distortion and maintaining sufficient carrier-to-noise ratios for a given modulation scheme. A DAC’s small-scale linearity performance is also an important consideration in applications where additive dynamic range is required for gain control purposes or “predistortion” signal conditioning. For instance, a DAC with sufficient dynamic range can be used to provide additional gain control of its reconstructed signal. In fact, the gain can be controlled in 6 dB increments by simply performing a shift left or right on the DAC’s digital input word. Other applications may intentionally TIME 1.0000 0.8000 –1.0000 –0.2000 –0.4000 –0.6000 –0.8000 0.2000 0.0000 0.4000 0.6000 Figure 34b. Time Domain “Snapshot” of the Multitone Waveform predistort a DAC’s digital input signal to compensate for nonlinearities associated with the subsequent analog compo- nents in the signal chain. For example, the signal compression associated with a power amplifier can be compensated for by predistorting the DAC’s digital input with the inverse nonlinear transfer function of the power amplifier. In either case, the DAC’s performance at reduced signal levels should be carefully evaluated. A full-scale single tone will induce all of the dynamic and static nonlinearities present in a DAC that contribute to its distortion and hence SFDR performance. Referring to Figure 3, as the frequency of this reconstructed full-scale, single-tone waveform increases, the dynamic nonlinearities of any DAC (i.e., AD9754) tend to dominate thus contributing to the roll-off in its SFDR performance. However, unlike most DACs, which employ an R-2R ladder for the lower bit current segmentation, the AD9754 (as well as other TxDAC members) exhibits an improvement in distortion performance as the amplitude of a single tone is re- duced from its full-scale level. This improvement in distortion performance at reduced signal levels is evident if one compares the SFDR performance vs. frequency at different amplitudes (i.e., 0 dBFS, –6 dBFS and –12 dBFS) and sample rates as shown in Figures 4 through 7. Maintaining decent “small-scale” linearity across the full span of a DAC transfer function is also critical in maintaining excellent multitone performance. Although characterizing a DAC’s multitone performance tends to be application-specific, much insight into the potential perfor- mance of a DAC can also be gained by evaluating the DAC’s swept power (i.e., amplitude) performance for single, dual and multitone test vectors at different clock rates and carrier frequen- cies. The DAC is evaluated at different clock rates when recon- structing a specific waveform whose amplitude is decreased in 3 dB increments from full-scale (i.e., 0 dBFS). For each specific waveform, a graph showing the SFDR (over Nyquist) perfor- mance vs. amplitude can be generated at the different tested clock rates as shown in Figures 9–11. Note that the carrier(s)-to- clock ratio remains constant in each figure. In each case, an improvement in SFDR performance is seen as the amplitude is reduced from 0 dBFS to approximately –9.0 dBFS. A multitone test vector may consist of several equal amplitude, spaced carriers each representative of a channel within a defined bandwidth as shown in Figure 37a. In many cases, one or more tones are removed so the intermodulation distortion performance of the DAC can be evaluated. Nonlinearities associated with the DAC will create spurious tones of which some may fall back into the “empty” channel thus limiting a channel’s carrier-to-noise ratio. Other spurious components falling outside the band of interest may also be important, depending on the system’s spectral mask and filtering requirements. This particular test vector was centered around one-half the Nyquist bandwidth (i.e., fCLOCK/4) with a passband of fCLOCK/16. Centering the tones at a much lower region (i.e., fCLOCK/10) would lead to an improvement in performance while centering the tones at a higher region (i.e., fCLOCK/2.5) would result in a degradation in performance. |
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